Phantom Of The Opera 25Th Full9/14/2020
If you wouldnt mind waiting a time LEFEVRE My apologies, Meters. Reyer. Proceed, proceed. REYER Give thanks to you, monsieur (turning back again to PIANGI).An AUCTIONEER, PORTERS, Customers, and RAOUL, seventy right now, but nevertheless bright of eyesight.
The motion commences with a whack from the AUCTl0NEERs gavel) AUCTIONEER SoId. Great deal 663, after that, women and men: a poster for this houses creation of Hannibal by Chalumeau. Lot 664: a solid wood pistol and three individual skulls from the 1831 manufacturing of Robert Ie Diable by Méyerbeer. Ten, thank you. Ten francs still. Fifteen, give thanks to you, sir Fifteen I am bid. Heading at fifteen. Your number, sir 665, females and guys: a papier-mache musical package, in the shape of a barrel-organ. Attached, the amount of a monkéy in Persian robés enjoying the cymbals. ![]() He studies it, as attention focuses on him for a time) RAOUL (quietly, fifty percent to himself, fifty percent to the box) A enthusiasts piece certainly... She often spoke of you, my friend. Will you still enjoy, when all the sleep of us are usually dead (Attention returns to the AUCTI0NEER, as he résumes) AUCTIONEER Great deal 666, then: a chandelier in parts. Some of you may remember the strange event of the Phantóm of the Opera: a mystery never fully explained. We are usually told girls and guys, that this is usually the very chandelier which numbers in the popular disaster. Our training courses have renewed it and installed up parts of it with wiring for the brand-new electric light, so that we may obtain a hint of what it may look like when re- set up. Probably we may scare away the ghost of therefore many years ago with a little illumination, gentlemen (The AUCTIONEER changes on the chandelier There can be an massive display, and the OVERTURE starts. During the overture the ie house is usually restored to its previous grandeur. The chandelier immense and shimmering, rises amazingly from the stage, finally hovering higher above the stalls) ACT 1 Picture 1 REHEARSALS FOR HANNIBAL BY CHALUMEAU (We have got attained the excellent choral picture in which HANNlBAL and his military come back to save Carthage from the Roman intrusion under Scipio. HANNIBAL is usually UBALDO PIANGI; ELISSA, King of Carthage (his mistress) is usually CARLOTTA GUIDICELLI. The two major SLAVE Women are performed by MEG GIRY and CHRISTINE DAAE. MME. GIRY is the ballet mistress. Michael. REYER, the repetiteur, will be in charge. We sign up for the safari towards the finish of ELISSAs (CARLOTTAs) great aria. OTHERS are usually seen still constructing components of the landscape) Ladies Refrain With great feasts and dance and melody, tonight in special event we welcome the successful throng, came back to provide salvation Males Refrain The trumpets óf Carthage resound Héar, Romans, right now and move Hark to our step on the surface ALL Hear the drums - Hannibal shows up (PIANGI enters, as HANNIBAL) PlANGI (HANNIBAL) Sad tó come back to discover the land we enjoy threatened as soon as even more by Romas far-reaching grab. Is quite difficult for me. Rome... Ancient rome... (Enter LEFEVRE, the retiring manager of the Opera, with Michael. FIRMIN and Michael. ANDRE, to whom he has just offered it) REYER (to PIANGI) Once again, then, if you please, Signor: Sad to return... LEFEVRE (to ANDRE and FIRMIN) This way, guys, this method. Rehearsals, as you see, are under method, for a new production of Chalumeaus Hannibal. LEFEVRE attempts to draw in attention.) LEFEVRE Girls and gentlemen, some of you may currently, perhaps, have got met Michael. Andre and M. Firmin. REYER interrupts) REYER Im bad, M. If you wouldnt brain waiting around a second LEFEVRE My apologies, M. Reyer. Proceed, continue. REYER Thank you, monsieur (turning back again to PIANGI).
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